Lilith's Fall
This fierce, ritual-driven single questions obedience and the price of blindly following inherited rules, hitting home in the current social landscape.
Drawing from tribal and Celtic textures, the track unfolds like an emotional inner storytelling, beginning with a sort of complaint about living in an asset that doesn’t respect people’s lives, shifting to a call to action as the voice leads the listener through a cycle of infinite destruction and renewal.
Story Behind
The song reclaims the idea of Eden not as paradise, but as a poisonous illusion when it is imposed rather than chosen. Repeated invocations of “break them” become a mantra of refusal: a rejection of closed systems and false orders built on exclusion. It is a call to leave behind what no longer serves, even when that means surrendering a familiar life.
Vocalisation plays a central role, pushing the piece beyond language into something raw and experimental. The voice cracks open the narrative, carrying the listener “from garden to fire, from fire to ashes” and back to soil, echoing cycles of collapse and rebirth rooted in nature but also found in modern history.
Faithful to MAREA’s vision of art as activism, “Lilith’s Fall” stands as an act of resistance and self-definition. It is a song about breaking inherited limits and rebuilding from the ashes with integrity and roaring hope, whatever it may take.
Lilith's Fall
The garden of Eden
is poisonous if
You never have chosen
it as your own Home
‘nd ah e’yah
‘nd ah e’yah
If the rules rule out people
in a closed up world
I guess if I want to
to follow them or
Break them
ah ah
Break them
And I have to leave it
it all back behind
I’d gladly surrender
the life that I’ve know
‘nd ah e’yah
* vocalising *
The old cosmic order
Betrayal of truths
Then back from my ashes
I’ll build up a-new
Break them
Break them
From garden to fire
From fire to ashes
From ashes to soil
Then grounded again (x12)
Live & Ritual Performances
My voice often lives beyond the studio: in movement, in breath, in the silence between sounds.
Here are fragments of those living moments: improvised songs, handpan meditations with incredible artists and voice-body dialogues.
Gaia’s Calling
A hymn to the Earth, a voice emerging from the soil, from breath, from stillness.
This song was born in dialogue with the land, inviting us to listen to her pulse once more.
Composed and recorded in connection with the natural elements, this song weaves field recordings, breath and organic sounds into a melodic offering.
Story Behind
“Gaia’s Calling” is a song rooted in the core principles that guide my art. It embodies environmental awareness, the respect for the rights of all living beings and the recognition of our shared existence. Through its sound and lyrics, it seeks to remind listeners of the fragile balance that sustains life on Earth. Ultimately, it’s a call to reconnect with nature and protect the world that breathes within and around us.
Gaia’s Calling
Can you hear Her?
Listen to Her!
Listen to Her!
Her voice fills the void in the soil,
it’s a screaming turmoil,
with a heatwave She can push you away.
Listen to Her,
listen to Her!
Slow it down!
Slow it down! (Stop!)
Slow it down!
Slow it down and listen,
listen to Her calling,
she’s screaming AH!
And Her body will shake for the shock,
exploitation of her soul,
it’s Her-quacke,
in the seas, the floods, every rock
can you hear Her call?
It’s Her-quacke, it’s Her-quacke,
are we awake?
She gave us all Her love,
It’s time to give it back
We’re on the razor’s edge
And we can hear its crack
We’re disenchanted children,
drunk on superficial values.
We fear the others’ eyes
Emptiness of compassion, statues
We hurt the other species just cause we don’t get them crying
We hunt our Mother’s children just cause they look different, aliens.
So…
Slow it down!
Slow it down! (Stop!)
Slow it down!
Slow it down and listen,
listen to Her calling,
she’s screaming
